Getting these slimming pills is fully easy. You do not have to take the hassle of going all out to get these weight reduction supplements. The majority of these pills can be ordered online right from the comfort of your own house. So, you get the product at the doorstep without putting in any efforts for the same. But, make sure that you go in just for weight reduction pills that offer you secure ordering like the Dietrine Carb pill. where can i get weight loss pills In short, the Dukan Diet is a four step approach to losing weight fast and maintaining weight loss for life. The creator, Pierre Dukan researched and practiced for 30 years and fine-tuned his method before releasing the Dukan Diet. The diet is broken down into four phases called attack, cruise, consolidation and stabilization. Dukan noted that most dieters had problems in the period after they had dropped weight when they went into a maintenance period. His approach combats that. In addition to losing weight quickly, dieters have a structured program to maintain the weight loss. weight loss or weight loss Keeping Weight Off check it out Olive Oil: One of Nature s Oldest Natural Cures see this site Weight Watchers: This diet has helped millions of people all around the world lose weight. According to weight watchers, if you don t eat within 4 hours, your body tends to store the leftover food for emergencies. With weight watchers you find that, once you increase your protein intake, you start to sleep better, recover faster, and have much more energy. the best diet pills to lose weight Casa del Peregrino, Templo Votivo de Maipú - Izquierdo Lehmann Arquitectos

Casa del Peregrino, Templo Votivo de Maipú

Architects: Luis Izquierdo W., Cristián Izquierdo L., Antonia Lehmann S.B.

Location: Costado sur del parque circundante al Templo Votivo de Maipú

Project: 2010

Private competition, First Prize.

The house for the Pilgrims has several places for the reception of visitors and offices, arranged in one story under the same roof and connected by a gallery surrounding a welcoming courtyard. The rooms are grouped into five closed units (receptions, offices, general services area, parlors and chapel), in between wich the surrounding gardens and central courtyard can be reached, preserving the continuity of the park and the valuable existing trees.
The articulating point is the circular courtyard with the Cross at its center, from wich the different rooms can be reached. From De la Patria Avenue this welcoming courtyard opens facing the main access, to the Virgin's Courtyard and the Votive Temple.

Therefore the House for the Pilgrims is a one story pavilion in a park, with no differentiated facades; a body bounded by and undulating ribbon wich in its development blends the buildings to the park and establishes a continous contour that at the same time shapes the major concavity of the Welcoming Courtyard and the secondary entrances to the garden.
All the rooms of the functional program are reached thorugh the gallery encircling the Welcome Courtyard, ensuring its condition as a place of encounter. These rooms were placed in a sequence leaving the Chapel on one end and on the other the information Room.
The Priest's residence was a also desinged as a one story, shaped layout, shaped to the corner where it's located but open to the park and towards the Temple, like the House for the Pilgrims.
The common rooms-vestibule, chapel,living,dining,dormitory corridor and external gallery-are fit under a roofing slab at 3,2 m, higher than that of the remaining rooms (bedrooms, library and service areas), placed on the outer face of the layout. The 75 cm set off between both roofing slabs opens a slot leaving the higher slab suspended in light.
From a courtyard open to the street on the corner, the entrance leads to a vestibule with direct access to the Chapel and on to the common rooms. In this manner due privacy and proper accessibility to the various rooms considered in the program in kept.


"Casa del Peregrino y residencia sacerdotal Santuario de Maipú". AOA. Arquitectura Chilena Contemporánea (15): 132-135. Chile, Noviembre 2010.